Gibson signature Les Paul Custom for Tool’s Adam Jones · Source: Instagram/Tool/Adam Jones
- Gibson Les Paul Silverburst For Sale
- Silverburst Les Paul For Sale
- Gibson Les Paul Silverburst 1979
- Gibson Guitars
This is a New Old Stock Les Paul Studio Deluxe model from Gibson USA. It's a 2018 guitar that's never been owned or played! The features include a slick Silverburst finish over a maple top, with a lightweight Ultra Modern weight-relieved mahogany body, and Burstbucker humbuckers. The electronics allow you to. For sale is a gorgeous 1981 Gibson Les Paul Custom Silverburst. 1981 is widely regarded as a'Holy Grail' year for the Les Paul Custom and this one is a keeper.just ask Adam Jones from the band TOOL! Sometimes when you come across older guitars like this that nearly look new. Ace Frehley Les Paul - 1997 Limited run, numbered in sequence as 'ACE xxx' Note: The discontinued Gibson USA Ace Frehley Signature Les Paul has a standard 8 digit serial number. Andy Summers ES-335 Limited edition of 50. Numbered in sequence as 'AS xxxx' Dickey Betts '57 goldtop Les Paul Limited edition of 114. Numbered in sequence as 'DB xxx'.
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Earlier this year, I told you about a Gibson Adam Jones signature Les Paul Custom. Time for an update: the guitar has now entered production, witnessed by the body blanks that have appeared on Tool’s Instagram account.
Gibson Adam Jones Signature in production
The Instagram post on the band’s official page speaks a thousand words – we couldn’t have better proof than these shots of body blanks with the “AJ” marked on them. You can clearly see the double binding of a Les Paul Custom as well.
A post shared by Tool (@toolmusic) on
It doesn’t get more OFFICIAL than this. Adam Jones Gibson Signature Guitars now in production!
– Official Tool Instagram account
Silverburst
We expect that Adam’s Silverburst will be shipping fairly soon – perhaps as early as this summer. Mr Jones played the original 1979 guitar on all of the band’s albums and also on stage, so a lot of Tool fans will be pleased to finally see Gibson recreate this legendary guitar. I suspect it won’t be cheap, but since original Gibson ’70s Silverburst models are already pretty expensive, it will be welcomed by enthusiasts and fans across the guitar world.
A post shared by Peter Leinheiser (@talldaddy90210) on
Documents in world history stearns pdf reader 1. I’m really looking forward to seeing exactly how close the Silverburst finish is to the originals. Will these guitars be aged to look like Jones’ guitar? Or perhaps Gibson will offer both new and we see new and aged versions…
A post shared by Cesar (Gibson) (@gueikian) on
Tell us what you think in the comments section below. I’d be interested to know what fans and Gibson players think of this upcoming signature model. Will it take as long to come out as Fear Inoculum did? I hope not!
More Information
Les Paul Custom | |
---|---|
Manufacturer | Gibson |
Period | 1954–1960; 1968–present |
Construction | |
Body type | Solid |
Neck joint | Set |
Scale | 24.75 in (629 mm) |
Woods | |
Body | Mahogany or Mahogany/Maple |
Neck | Mahogany or Maple |
Fretboard | Ebony, Maple, Richlite |
Hardware | |
Bridge | Fixed, Tune O Matic, Tremolo |
Pickup(s) | 2 or 3 Humbuckers, originally 2 P-90s |
Colors available | |
Ebony, Alpine White, Tobacco Sunburst, Wine Red, Cherry Sunburst, Silver Burst, Gold/Bronze Sunburst, Natural 'the Natural' (maple top w/maple fingerboard) Natural with Ebony Fingerboard (maple top w/ebony fingerboard Sam Ash Special 1975) |
The Gibson Les Paul Custom is a higher-end variation of the Gibson Les Paul guitar. It was developed in 1953 after Gibson had introduced the Les Paul model in 1952.
History[edit]
The 1952 Gibson Les Paul was originally made with a mahogany body with a one-inch-thick maple cap, a mahogany neck with a rosewood fretboard, two P-90single coil pickups, and a one-piece, 'trapeze'-style bridge/tailpiece with strings fitted under (instead of over) a steel stop-bar.[note 1], available only with a gold-finished top, giving rise to the moniker 'Gold-Top'. In late 1953, a more luxurious version was introduced, most probably on specific request by Les Paul himself, as he wanted a more luxurious and classy looking guitar. He requested a black guitar as he wanted it to 'look like a tuxedo'. Nicknamed the Black Beauty, the guitar had a mahogany body and neck, ebony fret board, and mother of pearl block markers inlays in the fret board. The 'Split Diamond' inlay on the headstock was taken from the carved archtopSuper 400,[1] which was the top of the Gibson line. The pickups were a P-90 in the bridge position and an Alnico V pickup, newly designed by Seth Lover, in the neck position.[1][2] The frets are low and flat, as opposed to the usual medium jumbo frets found on other Les Paul customs, and the guitar soon was given the nickname 'The Fretless Wonder'. The 1954 Les Paul Custom also saw the introduction of Gibson's new bridge, the ABR-1. The new Custom also shipped with a different case from the Standard, using a black and gold case instead of the brown and pink case that was the top-of-the-line case for the Les Paul Standard models. However, in a 2009 telephone interview, JP Moats stated that, 'On occasion, supply issues with the black and gold cases, would necessitate the use of Gibson's top-of-the-line case, so as to be able to fill orders; though it was rare'. This was to be the case until the Custom was replaced and discontinued (though a similar black case was used with the LP/SG Custom models).
In mid-1957, Gibson began to equip the Les Paul Custom with the new PAF (Patent Applied For) pickup designed by Seth Lover. Most Customs have three PAFs, though there are a small number that have the traditional two-pickup configuration. By 1958, Gibson had replaced the Kluson tuners with Grover Rotomatics. It is this configuration that remained until the guitar was discontinued in 1960, replaced by the new double cutaway body Les Paul model. There are a small number of 1961 Les Paul Customs that were made with the single cutaway body before the transition to the new, SG-style body was complete.
The Les Paul Custom remained a double cutaway model until 1963, when Les Paul's endorsement with Gibson ended, and the guitar was subsequently renamed the SG Custom.
In 1968, Gibson re-introduced the Les Paul Custom as a two-pickup model. The headstock angle was changed from 17 to 14 degrees, a wider headstock and a maple top (in lieu of the original 1953–1961 solid-mahogany construction). In 1969, Norlin acquired Gibson, and the Les Paul Custom saw many changes between 1969 and 2004. The mahogany neck was replaced with a three-piece maple neck in 1975 (though some mahogany ones were still made, continuing till around 1982, and the solid-mahogany body was replaced in late 1969 with a 'pancake' body, with a thin layer of maple between two thicker pieces of mahogany. which continued until 1977. In 1970, a 'Made in USA' stamp was added to the back of the headstock, and a volute was added to the back of the neck to strengthen the thinnest part of the neck, just below the headstock.
In 1974, Gibson released the 20th anniversary Les Paul Custom in white, black, cherry sunburst and honey sunburst finishes (at least those four colors were made) with '20th Anniversary' engraved on the 15th-fret block inlay. By 1976, the new Nashville bridge began to replace the ABR-1. In 1977, the 'pancake' maple layer was subtracted from the body, though the top was still maple, as was the neck. It was around this time that the current serial number system appears as well. In 1975, Gibson began making a number of Customs with maple fingerboards, instead of the typical ebony, which was discontinued by the early 1980s. From 1979 to 1982 or 1983, Gibson made a limited edition of 75 Les Paul Customs worldwide in the Silverburst colour with 2 'Tim Shaw Burstbuckers'. In 1981, the volute was phased out.
In 1984, Gibson closed the Kalamazoo plant, and all production was moved to Nashville. In 1986, Norlin sold Gibson to a group of investors led by Henry Juszkiewicz.
The Les Paul Custom specs by the end of the 1980s:
- Smaller headstock
- Mahogany neck
- Mahogany body
- Maple top
- Ebony fingerboard
- Gold hardware
- 2 humbucking pickups
- Nashville bridge
- Standard Gibson frets, as opposed to wide, flatter frets
Gibson has been installing its 490R/498T pickups as standard equipment on the Custom since the 1990s.
- Specific production years
Les Paul Custom guitars from 2000–2003 were specially made to the requirements of the client, as regards fretboard, neck and body woods, and type of hardware, with some models allowing for requests for specific numbers of turns in the pickups' coils, as well. Individual logo designs and hard cases were also manufactured at the request of the customer. Specific Custom Shop serial numbers were assigned, encoded with Les Paul Custom's smaller, more compact serial number in the format 'CS XXXXX'.
The first two numbers represent on which number this specific model was built, next two represent the year they were made in and the last numeric value represents the month of formation
Current models[edit]
In 2004, Gibson moved construction of the Les Paul Custom to its Nashville Custom Shop. The specs remained similar, with the only immediate changes being a TKL-made Custom Shop case (black with a crushed red interior) and a Certificate of Authenticity, as well as a Gibson Custom decal on the back of the headstock. The serial number system for the Custom also changed from the 8 digit USA numbering system to the Custom Shop numbering system, which reads as CS YNNNN (Y = last number of the year of manufacture, N = guitar's place in sequential production for the year).
In 2011, Gibson replaced the ebony fingerboard on the production Custom with a solid paper-phenolic resin composite material. After the change in leadership following Gibson's near bankruptcy in 2018, Gibson returned to the use of ebony fret boards.
While the Custom is currently available only in Ebony and Alpine White, it is often offered in Wine Red, Cherry Sunburst and Silverburst, as well. The Custom model differs from the Les Paul Standard in many ways. The cosmetic differences include gold hardware (though silverburst Customs have chrome hardware); inlaid rectangular-block pearloid position markers on the fretboard rather than the modified trapezoidal 'crown' inlays of the Standard (adding a marker at the first fret, whereas the Standard has none); a 'split-diamond' five-section pearl inlay on the headstock; and multi-ply binding around the body and headstock, with standard single-ply binding along the fretboard edges. The construction differences are: a physically larger headstock; an ebony, maple or Richlite fretboard, all of which tend to produce a 'snappier' tone than the rosewood fingerboard found on the Les Paul Standard; lower frets with more squared off tops (though lower than the frets on a Standard, today's production Custom does not have 'Fretless Wonder' frets) and larger round 'speed'-style knobs (though other knob types can be seen depending on the year and model). Gibson also does limited color runs, such as Pelham Blue, Frost Blue, Kerry Green, transparent colors, metallic colors and sunbursts that are not typically offered on a normal Custom. The hardware for those models can be either gold or chrome, depending on the color and/or specs. Starting in 2011, Gibson began to re-introduce maple fingerboards on the Custom, offering limited runs in the traditional colors, as well as transparent colors with figured tops.
In 2013, Gibson did a limited run of 1957 re-issue Customs (both 2 and 3 pickup models)[3] with ebony fretboards. They were the first Customs since 2011 to feature ebony fretboards, and came with white handling gloves, a 20th anniversary toggle switch control cover, a special COA and a Gibson Custom case. In 2012, Gibson re-introduced the original brown vinyl, pink-plush lined 'California girl' case for its Custom Shop models, largely replacing the black and red case that had been in use for almost a decade.
The current Les Paul Custom specs are:
- Weight relieved mahogany body
- Maple top
- Mahogany neck
- Ebony fingerboard
- Ebony finish
- Gold hardware
- 490R/498T humbucking pickups
- Nashville bridge
- Stop tailpiece
- Speed knobs
- Grover tuners
Additionally, Gibson makes a number of signature Les Paul Custom models that are distinctly separate models from the standard production Custom, including:
- Zakk Wylde Les Paul Custom
- Peter Frampton Les Paul Custom
- Tak Matsumoto Doublecut Custom
- Vivian Campbell Les Paul Custom[4]
Previous models[edit]
Gibson has also made a number of other Custom models, including:
- Solid mahogany body
- 'Fretless Wonder' frets
- Alnico 'staple' neck pickup
- P90 bridge pickup
- Kluson tuners
- ABR-1 bridge
- Non-weight relieved body
- Solid mahogany body
- 'Fretless Wonder' frets
- 2 or 3 '57 Classic pickups
- Kluson tuners (some released with Grover tuners)
- ABR-1 bridge
- Optional Bigsby
- Non-weight relieved body
- SG body shape and contours
- Original neck/body joint
- Maple cap
- Larger neck
- '57 Classic pickups
- ABR-1 bridge
- Non-weight relieved body
- There was also a small run of Guitar Center-exclusive models available in sunburst with a figured maple top and a slim neck profile
- Specs similar to the 1957 Reissue, with minor changes to reflect the 1960 Les Paul Custom
- Rosewood fretboard
- Pickup specs varied based on color
- No back binding
- Baked maple fingerboard
- Acrylic inlays
- USA production model (non-Custom Shop)
- Custom Shop 20th Anniversary 1957 Les Paul 'Black Beauty' with 3-Pickup
- One piece ebony fingerboard
- Deep-set neck tenon
- Gloss finish
- Limited to 100 pieces
- Each comes with a handmade, one of a kind Custom Shop 20th Anniversary COA which is framed, a set of white gloves, a custom fitted dust cover (that fits the guitar) with 'retro' 1993 Custom Shop logo and with a stamped brass'20th Anniversary' cover over the pickup toggle switch cavity.
Custom Lite models[edit]
- Slim body
- No back binding
- Belly contour
- 2 volume, 1 tone, coil tap
- Ebony fingerboard
- Slim body
- No back binding
- Belly contour
- 2 volume, 1 tone, coil tap
- Rosewood fingerboard
- USA production model (non-Custom Shop)
Past Signature Model customs[edit]
- Reproduction of Rhoads' 1974 20th Anniversary Custom
- Available in both VOS (Vintage Original Spec) and Aged
- Mick Jones Les Paul Custom (Limited Edition)
- Based on the Les Paul Custom stolen from Page
- 3 pickup model
- Bigsby tailpiece
- Custom wiring with a six-way toggle switch
- VOS finish
![Gibson les paul silverburst custom Gibson les paul silverburst custom](https://images.reverb.com/image/upload/s--9n4SSK77--/a_exif,c_limit,e_unsharp_mask:80,f_auto,fl_progressive,g_south,h_620,q_90,w_620/v1424751934/fm092d7oqddpq6p7udf9.jpg)
Gibson discontinued many models with ebony fingerboards as factory spec after the August 2011 federal raid due to concerns regarding the legality of ebony that the company had purchased. The 2013 Les Paul Custom that commemorates the Custom Shop's 20th anniversary is the first and only Custom to feature an ebony fingerboard since late 2011.
Notable Les Paul Custom players[edit]
- Les Paul, inventor of the Les Paul guitar and guitarist of Les Paul Trio etc.
- Sister Rosetta Tharpe, American singer, songwriter, guitarist, and recording artist
- Lindsey Buckingham, Guitarist and Vocalist for Fleetwood Mac
- Chad Gilbert, Guitarist for New Found Glory
- Billie Joe Armstrong, Guitarist and Vocalist for Green Day
- Robert Fripp, solo artist and guitarist of King Crimson[5]
- James Williamson Guitarist for Iggy Pop & the Stooges
- Trent Reznor, founder and frontman of Nine Inch Nails[6]
- Chris Cornell, rhythm guitarist and vocalist for Soundgarden
- James Hetfield, lead singer and rhythm guitarist of Metallica
- Andy Williams, guitarist for Every Time I Die
- Robbie Krieger, guitarist for The Doors
- Izzy Stradlin, rhythm and lead guitarist for original Guns N' Roses
- Mick Mars, guitarist for Mötley Crüe
- Kalle Sjostrand, Lead Guitarist for Wolfram Hovercraft and Kaross
- Steve Marriott, rock artist, guitarist and vocalist of The Small Faces and Humble Pie
- Steve Hackett, guitarist for Genesis (band)
- John McLaughlin (musician), fusion jazz guitarist, composer and founding member of Mahavishnu Orchestra
- Jim Hall, jazz guitarist
- Johnny Marr, guitarist for The Smiths
- Mick Ronson, solo artist and guitarist of David Bowie and The Spiders From Mars[7]
- Zakk Wylde, guitarist for Ozzy Osbourne and founder of Black Label Society
- Slash, solo artist and guitarist for Guns N' Roses and Velvet Revolver
- Adrian Smith, guitarist and backing vocals for Iron Maiden
- Buzz Osborne, guitarist and lead singer for Melvins
- Randy Rhoads, guitarist for Ozzy Osbourne and Quiet Riot
- Mick Jones, guitarist for The Clash and Big Audio Dynamite
- Steve Jones, guitarist for The Sex Pistols
- Jimmy Page, guitarist for Led Zeppelin
- Dave Davies, guitarist for The Kinks
- Vicki Peterson, vocalist and lead guitarist for The Bangles
- John Norum, guitarist for Europe
- Ace Frehley, former guitarist for KISS and solo artist
- Keith Richards, guitarist for The Rolling Stones
- Paul Banks, guitarist and lead singer for Interpol
- John Fogerty, guitarist and vocalist for Creedence Clearwater Revival
- Daniel Johns, guitarist and vocalist for Silverchair
- Peter Frampton, solo artist
- Matt Heafy, guitarist and vocalist for Trivium
- James Dean Bradfield, guitarist and vocalist for Manic Street Preachers
- Paul Crook, guitarist and vocalist for Meat Loaf, Sebastian Bach and Anthrax
- Adam Jones, guitarist for Tool
- Bill Kelliher, guitarist for Mastodon
- Huey Morgan, guitarist and vocalist for the Fun Lovin' Criminals
- Kirk Hammett, guitarist for Metallica
- Alex Turner, guitarist and vocalist for Arctic Monkeys and The Last Shadow Puppets
- Chris Shiflett, guitarist for The Foo Fighters and The Dead Peasants
- Jerry Cantrell, guitarist for Alice in Chains
- Justin Hawkins and Dan Hawkins, guitarists for The Darkness
- John Frusciante, former guitarist for Red Hot Chili Peppers
- Buckethead, solo artist and virtuoso guitarist
- Tom Kaulitz, guitarist for Tokio Hotel
- Steve Gaines, guitarist for Lynyrd Skynyrd from 1976–1977
- James Iha, guitarist for the Smashing Pumpkins from 1988 to 2000
- Mark Spiders, rhythm guitarist for Willard
- Björn Gelotte, lead guitarist for In Flames
- The Edge, guitarist for U2
- Steve Clark, guitarist for Def Leppard
- Paul Landers, rhythm guitarist for Rammstein
- John Sykes, guitarist and songwriter for Thin Lizzy and Whitesnake
- Danny Kirwan, former guitarist for Fleetwood Mac
- Mike Ness, guitarist and vocalist for Social Distortion
- Roy Coston, guitarist for DC Strut, Ardent. LoveBone, 4 Large Men & Coston
- Frank Zappa, guitarist and songwriter
- Neil Westfall, guitarist for A Day to Remember
- Kevin Skaff, guitarist and vocalist for A Day to Remember
- Jerry Johnsen, guitarist and lead percussionist for The Bisexuals
- Irwin Sparkes, guitarist and vocalist for The Hoosiers
- Gary Rossington,guitarist for Lynyrd Skynyrd
- Rickey Medlocke, guitarist and vocalist for Lynyrd Skynyrd and Blackfoot
- Charlie Starr, guitarist and vocalist for Blackberry Smoke
- Paul Jackson, guitarist and vocalist for Blackberry Smoke
- Rick Torres, guitarist and programmer for Supreme Beings of Leisure, Bitter:Sweet, and The English Beat
- Lightnin' Hopkins, whose last guitar was a 1980 Les Paul Custom
- Gary Richrath, Lead Guitarist REO Speedwagon
- Arve Isdal, guitarist for Enslaved
- Matt Pike, guitarist for High on Fire, Sleep
- Larry Hoplite, guitarist and vocalist for The Coachmen and Shuffle
- Blake Schwarzenbach, guitarist and vocalist for Jawbreaker
- Dave Navarro, guitarist for Jane’s Addiction
- Richie Faulkner, guitarist for Lauren Harris and Judas Priest[8]
- Vivian Campbell, guitarist for Whitesnake and Def Leppard
- Jeff Buckley, solo artist
Other models[edit]
- Gibson's subsidiary, Epiphone, also makes the Les Paul Custom guitar.[9] As of 2009, it comes in various finishes and variations. It comes in Ebony (with gold hardware, chrome hardware and chrome-plated pickguard on a limited edition, and with aged white binding, gold hardware, and uncovered pickups another limited edition), Alpine White (with gold hardware), Silverburst (with chrome hardware), Prophecy EX (with EMG pickups, transparent black finish with a quilted maple top, and black hardware), Prophecy GX (Gibson Dirty Finger pickups, transparent red finish with a quilted maple top, and gold hardware), and the Zakk Wylde signature (antique ivory with bulls eye graphic and gold hardware, Camo finish with a bulls eye graphic, maple fingerboard and gold hardware, and orange with a buzzsaw graphic and chrome hardware, EMG pickups).[9]
Gibson Les Paul Silverburst For Sale
Notes[edit]
- ^In the summer of 1952, Gibson Les Paul Goldtop was priced at US$209.
References[edit]
- ^ abDuchossoir, A. R. (1998-07-01) [1994]. 'Chapter Six: The Expansion of the Electric Line, 1953-1955'. Gibson Electrics: The Classic Years: An Illustrated History from the Mid-'30s to the Mid-'60s. Milwaukee, WI USA: Hal Leonard. p. 52. ISBN0-7935-9210-0. Retrieved 2012-12-23.
Equally, the electronics combined Seth Lover's Alnico pickup in the neck position with a regular P-90 in the bridge for tonal versatility.
- ^Bishop, Ian Courtney (1990) [1977]. 'Chapter 1: The Les Paul Series'. The Gibson Guitar: From 1950, Volume 1. Bold Strummer Guitar Series. The Bold Strummer. p. 5. ISBN0-933224-46-X. Retrieved 2012-12-22.
The Les Paul Custom.. was equipped with a single coil black covered Les Paul Special pickup in the treble position and a very distinctive Alnico pickup with six oblong pole pieces in the bass position.
- ^Gibson.com, 1957 Les Paul Custom Reissue The Original Black Beauty
- ^Gibson Guitar channel, Youtube, 'Vivian Campbell on his Signature Gibson Custom Les Paul and his long time love for Les Pauls'
- ^Guitar World presents one hundred greatest guitarists of all time from the pages of Guitar World magazine
- ^Di Perna, Alan (April 1994). 'Machine Head'. Guitar World: 21.
- ^[1]
- ^'Guitar Talk with Judas Priest's Richie Faulkner'.
- ^ ab'Epiphone Les Paul Custom'. Epiphone.com. Retrieved 23 February 2012.
Silverburst Les Paul For Sale
External links[edit]
Gibson Les Paul Silverburst 1979
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